British actor and filmmaker Sir Kenneth Branagh has been a must for Hollywood for years, between his Shakespeare Plays adaptations as “Much Ado About” from 1993 and “Hamlet” from 1996 and blockbuster projects like “Harry Potter and The Chamber of Secrets”, as well as the first film “Thor” in 2021. He also won his first Oscars in 2021 Thanks to the autobiographical film “Belfast”, which was based on his own childhood in the city of Northern Ireland during the troubles. Branagh is clearly a curious and ambitious filmmaker and interpreter who is still looking for a new challenge, which could explain why, in 2017, he began to adapt the stories of Hercule Poirot of Agatha Christie for the big screen.

Branagh launched this new project with “Murder on the Orient Express” that year and followed it with two other stories from Poirot, “Death on the Nile” and “A Haunting in Venice”, which was released in 2022 and 2023 respectively. So what is the right visualization order for the movies of Poirot de Branagh? Well, it may seem obvious, but I am here to confirm a simple fact: the best way to watch the Hercule Poirot films by Kenneth Branagh is only by their release date, so start with the first first.

If you bingue all the films Hercule Poirot by Kenneth Branagh, go ahead and start the procedure with the film “Murder on the Orient Express of 2017. It is, undoubtedly, one of the most famous Agatha Christie works with the famous fictitious detective of the center, it is therefore logical that Branagh led with this adaptation. Based on the book of the author of the legendary mystery of 1934 Opens with the Poirot de Branagh at the Saint-Sépulcre church in Jerusalem. To investigate the question, but Ratchett is dead.

After Poirot dug on Ratchett and realizes that he used an alias and is In fact John Cassetti, a man who previously removed and murdered a little girl named Daisy Armstrong. Cassetti was also indirectly responsible for the death of Daisy’s father, John and Susanne, the family nanny, both deceased by suicide. Some suspects are starting to introduce themselves, including the other family nurse, Pilar Estravados (Penelope Cruz), the former lover of Susanne, Cyrus Bethman Hardman (Willem Dafoe), the godmother of Daisy, Princess Natalia Dragomiif (Lady Judi Dench), and a handful of others. I will not spoil the end of “Murder on the Orient Express” here if you have not read or looked at this famous story before, but Branagh does an excellent job by doing it, and the film has become a commercial success – which gave Branagh the green light to continue making movies of Poirot.

At the very end of “Murder on the Orient Express”, Kenneth Branagh sets up the rest while Hercule Poirot leaves the train; After the end of his trip, he met a British army messenger who gives him a note saying that there was … Death on the Nile. After a brief flashback which recounts the service of Poirot during the First World War – which also presents the lover of Poirot, Katherine (Susannah Fielding) who perished in the war – we catch up in 1937 in London, where “death on the Nile” begins correctly. While he is in the British capital, Poirot attends a performance by the jazz singer Sotterbourne (Sophie Okonedo). While he is there, he sees the worldly Jacqueline de Bellefort (Emma Mackey) with her fiancé Simon Doyle (Armie Hammer) and her longtime friend Linnet Ridgeway (Gal Gadot).

Strangely, six weeks later, Poirot travels to Egypt when he meets Jacqueline, Simon and Linnet again, except that something is very different: Linnet and Simon are now committed to get married. (Jacqueline hunts them, naturally.) After Simon, Linnet, Poirot and their wedding guests aboard the SS Karnak to celebrate the wedding, and after having briefly landed to see ruins, Jacqueline embarks the ship. When Linnet gets dead, it seems that Jacqueline is probably the obvious culprit, but in the stories of Poirot, nothing is so simple. “Death on the Nile” was not as financially successful as his predecessor, but he always occurred at the box office, opening the way to a third suite.

A year after “Death On The Nil”, Branagh released a third film by Hercule Poirot, adapted from Agatha Christie’s novel “Hallowe’en Party” and entitled “A Haunting in Venice”. Located years after the events of the previous episode, we now find Poirot trying to retire peacefully in Venice, having lost confidence both in a superior power and its work line over the years. During all this time, he is accompanied by his bodyguard, the former Italian police officer Vitale Portfoglio (Riccardo Scamarcio).

One evening, the friend of Poirot and novelist of popular crime Ariadne Oliver (Tina Fey) convinces the detective to accompany him in a session in a Venetian palezzo belonging to Rowena Drake (“Yellowstone” Star Keilly Reilly), interpreted by the medium noted Joyce Reynolds (Michelle Yeoh), largely because Diadne wants to prove once and for all that Joyce is fraud. (Also, the Palazzo is a former orphanage and would be extremely Haunted, it is therefore a particularly appropriate Halloween destination.) When Joyce seems to invoke the mind of the deceased girl of Rowena, Alicia, and affirms that the girl was murdered, Poirot is on the case.

A few additional bodies fall before “an obsessive Venice” is over, and the mystery arrives at a satisfactory conclusion … and considering that it had better returns to the box office than “Death of the Nil”, a fourth film by Poirot will probably arrive. For the moment, the three films Hercule Poirot by Branagh broadcast on Amazon Prime Video.