By Robert Scucci
| Published
There are not many slices of life found dramas of copying coping cops floating, to say that End is the best of its kind would be a section because it is held to itself in this strangely specific sub-genre. Through its ephemeral moments but revealing chaos and sentimentality, End is a must because of how he intimately follows his two main characters, the officer of Jake Gyllenhaal, Brian Taylor and the officer of Michael Pena, Miguel “Mike Z” Zavala, on their daily patrols as well as by their personal life.
Mixing points of view thanks to the use of bodycams, Brian’s personal camcorder, a third -person perspective who sees everything that, and often a combination of everything above, you are not about to get into your typical cop drama when you shoot End On Max, and you will be seriously disappointed when no other film (which I am aware) corresponds to his style.
Avoid the trophies of friends copy
End could very easily enter the territory of Buddy Cop, but plays it straight despite some moments of comic relief between the partners and the best friends Brian and Mike. After all, when your work endangers your life every day, you have to do well by talking about your romantic prospects and your family life while making some jokes at the expense of the other from time to time.
Deciding to record his activities personally for a school project, Brian brings a video camera with him each call he and Mike make while Patrol working for the LAPD in the South Crime Central Zone. Capture moments that otherwise would be lost in the dead angles on their body camshafts, End Allows you to testify to their fear, their anger and, above all, their feeling of friendship and camaraderie each time they find themselves in an impossible situation.
The climbs are imminent
Having tripped on an example of human trafficking after checking a suspicious house, Brian and Mike get more than they negotiate End When their initial investigation blows the doors wide open, and well above their remuneration note, in the world of the Sinaloa cartel, which risks retalling at such a crucial moment in the two lives. Going forward in life outside the police, Brian finds the love of his life in Janet (Anna Kendrick), to whom he offers, and Mike’s wife, Gabby (Natalie Martinez), has a baby on the way when the issues could not be higher on the professional front for both partners.
Slide in moments of family happiness and personal victories, End becomes all the more brutal when you learn who Brian and Mike leave each time they are going to work, not knowing if they will come home at the end of their work quarters. By humanizing the officers who act certainly of their pocket in increased situations when divided decision -making can lead to life or death, we have shown how personal relationships can decompose, while the dynamics of power which is continuously at stake in the district influences their behavior on work, where they do their best to protect their their their community While facing trauma that changes daily life.
Streaming End of Watch
End Capture in an expert way the unbreakable link between two young officers and the best friends who always have the six. Thanks to its changes in perspective, we learn the delicate balance between their personal and professional life, and how everything can change, for the better or for the worst, in the blink of an eye in their work line.
Break with conventional filming methods to pass your point of view, End is an exciting experience because you feel like a fly on the wall when you have an overview of the life of its main characters, which are infinitely more complex than you think if they were to pull you for a stop of routine circulation after a long week of fire. To assist that Brian and Mike live in the first hand because they constantly put their lives in danger, you can broadcast End on max to date.
