Brandon Sklenar is not unrelated to intense roles, but its most painful moment on the set did not come from scripted sorrow. Instead, he came from head to head.

The star of “1923” recently opened a horrible injury suffered during the filming of the successful prequel “Yellowstone”.

In a conversation with the co-star of “The Housemaid” Sydney Sweeney,Brandon Sklenar shared what he called the “most stupid way” that he was ever injured on the set.

“Splating my own head open with a helmet pulling a scene in ‘1923’. It was quite stupid,” admitted Sklenar Interview magazine. “I had to slam him on the neck of this guy when he was trying to kill me. And when we pulled it, I had the helmet far ahead of me to have a little clearance. ”

Things took a turn during a close plan from the attacker’s point of view. “Then we had to draw from his point of view, from me slamming it on his neck, and because of the angle, I had to hold the helmet very close to me, and we had a blow, so the director told me to really go to ape-sh-T above,” he recalls.

The result? “So I came and I struck myself here before my eyes and I simply completely opened my head,” he said. “They had to a supergute.” He added that the accident had left him “a fairly good scar next to another scar that I already had there.”

“1923” wrapped its second season with a final of heavy, eliminating seven main characters and closing an important chapter in the universe “Yellowstone”.

Sklenar’s revelations are involved in a renewal of the public interest in its link with another project. “It ends with us.”

The actor, who played Atlas Corrigan opposite Blake Lively In the film, the adaptation of the successful novel by Colleen Hoover, was tangentially fired in the drama surrounding the production of the film.

When he approached the airport and asked if he had words of encouragement for his co-stars “IT ends with us”, Sklenar offered a cryptic but significant response of “Direct with love and compassion” Before moving away.

The commentary comes from weeks after the actor asked difficult questions about the legal battle between Lively and Co-Star / Director Justin Baldoni.

The controversy began in December when he filed a complaint alleging sexual harassment and a subsequent smear campaign orchestrated by Baldoni, allegations which he firmly denied.

Sklenar initially expressed a clear support for Lively, sharing a link to The New York Times Article that broke the story on his Instagram stories, writing: “For the love of God, read this” and marking Lively with a red -hearted emoji.

However, in March, his position appeared more measured.

During an interview The Hollywood Reporter During the Vanity Fair Oscar Day, he was asked how he had “supported” living throughout the test.

“This is a difficult situation,” said Sklenar. “I just hope that everyone remembers what the film is talking about and why we have succeeded in the first place. It is love and supporting women in general and helping people through difficult times.”

He continued: “And this film helped so many people, and I just want people to remember what it is and why we did it. And to keep it on it. This kind of central ethics.”