Spoilers for “sinners” follow.
If you know what is good for you, you will have enjoyed each last drop of the last work of Ryan Coogler and undoubtedly the biggest to date with “Sinners”, ” The horror film which could be the greatest bet at the director’s box office to date. Sitting somewhere between “from twilight to dawn” and “no country for old people” (What coogler confirmed that he had fired)The Michael B. Jordan Spine-Chiller ends in a glorious mixture of music, monsters and lost souls arriving where they must be, and the best part is that it is not even the end.
Advertisement
Nowadays, films with post-key scenes are often decorated with a Marvel logo, so it is a refreshing change in rhythm to see one at the end of the last to coogle. Here, the director of “Black Panther” does not stick one but two buttons at the end of the “sinners”, which both have an immense value in the violent and dynamic nightmare that he trained to us. After Sammy (Miles Caton) left his family to seek a life and a future in music, we gathered with him in a blues bar, headlining evening with the public on their feet. It is here, however, while the list of actors passes, that Sammy is gathered with two familiar faces that he thought he was lost because of the time, to come back from the past for a last song. It is a wonderful moment of warm -up of coogulating carpets, and a treat for those who stayed to recover from this fever scorted by the South Dream of a film.
Advertisement
Stack and Mary ask Sammy for a last song from the Mid-Credit sinners scene
While the weather may have wreaked havoc on the qualified guitarist, a surprise visit to the Living Dead Pile (Michael B. Jordan) and his love, Mary (Hailee Steinfeld), prove that they have remained intact, although now shaking a wardrobe from the 90s. Fateful night.
Advertisement
In the last bloody stand against Remimick (Jack O’Connell) and after Mary fled the premises, the twin brothers were left to death – at least we thought. In their final battle, Smoke allowed her brother to free herself, but not before stack’s promise to let their cousin live his life. Now, with the scent of death that lingered slightly on the guitarist, Stack asks Sammy to play as he did that night, for the good of time.
It is a gentle moment intertwined with scenes from this fateful day, with music allowing them to travel in time, remembering the community that met to build what Sammy Confess led to the best night of his life before things were in hell. This proves once again that “sinners”, for the most part, that’s all people try to find their own form of freedom wherever it is with a sincere story that they shared together (which was inspired by the coogler). What makes it very sweet is the musical legend that works in the older shoes of Sammy for the scene.
Advertisement
Old Sammy is played by Blues Legend, Buddy Guy
While Mary and Stack may have become full legends (just the kind to be feared), Michael B. Jordan and Hailee Steinfeld are in the presence themselves of a legend since the old version of Sammy is played other than the guitarist and legendary blues singer, Buddy Guy.
Advertisement
The Grammy Award prize and a winner of a prize for life in Lifetime Achievement established a level by which some of the greatest musicians in history hoped to reach. Talents such as Eric Clapton, Jimi Hendrix, Keith Richards of the Rolling Stones and the Jimmy page of Led Zeppelin all watched Guy to inspire and reach the mastery of the genre he had reached. To coogulate, he was the favorite musician of his uncle and a casting choice which was just as crucial as everyone on the project.
In an interview with the Times thereCoogling recalled their first meeting: “I launched it what the film was and he told me about his life story about being a sharepropper when I was a child and going up to Chicago and trying to learn to play. I collapsed by crying, because everything I had just written in the script, this guy lived, apart from supernatural things.” It is a brief appearance but which adds even more authenticity to real details which work like the backbone of the supernatural tale to coogerate, all before returning to the past and showing the young Sammy with a final emotional reminder.
Advertisement
Sammy lets her light shine in the post-key scene of sinners
After flooding the film with so captivating music, you have probably already added it to your Playlist queue for the return trip, Ryan Coogler sends “sinners” to a perfect note with a last performance of his most surprising star. In his very first acting role, Miles Caton closes the film as a young Sammy, shown seated in his father’s church, playing an amazing interpretation of “This Little Light to me”. There is no flair, no other talent for support that stops to wish the public goodbyes, just the “preacher” left to himself and the wonders that work with the talent he has.
Advertisement
Although it is simply an excuse to coogerate to highlight the unique talents of Cato more, it is the one we will let slide for a film that has passed every second to keep we hung. It is also a choice of appropriate songs, given that even if the story says that the dreams of two brothers are transformed into a nightmares, he really focused on a flowery talent that took the opportunity to shine by itself even after such intense trauma. It’s a personal moment that highlights music as its release, and what sweet it is too. His music, just like the desperate monsters to make their own, is timeless and will remain in the head until the very last note.
“Sinners” is now in theaters.
