On the 10 Bogart films with a perfect score, the first is another undoubtedly brilliant film, “The Treasure of the Sierra Madre”. BOGART plays Fred C. Dobbs, a Hardscrabable potential gold minor with an intensely paranoid sequence that only makes you get worse when he and a few others (Tim Holt and Walter Huston) come across a serious gold find in Mexico. First and foremost, if you only know Bogart of his most romantic black efforts, “The Treasury of Sierra Madre” will be a revealing and burning affair for you (As difficult, perhaps, as for the actors to make the film), because it shows how Bogart could be committed to playing really heinous characters. It is the type of role which is so seminal that it inspired Paul Thomas Anderson in the creation of his neo-Western epic “will be blood”, and not only because the star Daniel Day-Lewis was riff On the voice of the director of “Sierra Madre,” John Huston.
Aside from this epic, six of the nine other Bogart films with 100% all were published in the mid -1930s (before the days of Bogart playing Sam Spade and others). “The Petrified Forest”, “Black Legion”, “Angels With Dirty Faces”, “The Roaring Trexties”, “Marked Woman” and “Kid Galahad” all have perfect scores, even if all these films are not as well known Like the others mentioned here so far. Two of the three remaining titles were published in the 1950s: “The Barefoot Contenta” and “The Hard more than they fall”. This leaves one more title, arriving in 1942, the same year as “Casablanca” – a film entitled “All through the Night”. (This film presents a big name of character from Bogart: Alfred “Gtes” Donahue.) If you know some of the biggest films in Bogart, you can feel surprised that these titles, even “Angels with Dirty Faces”, a film of Gangster featuring James Cagney, I have a perfect score. Of the ten, the most impressive is “the treasure of the Sierra Madre” because he has 55 critics, which are all classified fresh. But the other titles? Well, “Kid Galahad” has a perfect score but with just six Notice. “Marked Woman”, which associates Bogart with Bette Davis, has only five criticisms. Even the era later “The Barefoot Contenta”, in which Bogart Co-Stars with Ava Gardner, has only 12 criticisms on the site. So yes, these films have a 100%, but there are extremely few criticisms, including selecting.
This is the balance that you sometimes have to find with rotten tomatoes. It is wonderful that the site keeps a trace of the countless films of stars of each era of cinema, and I hope you are inspired here to look at something that is not only an obvious title of Humphrey Bogart. (But if you have not seen “the treasure of Sierra Madre”, above all, you miss.) But it is not because a film has a perfect score. It is not automatically as difficult for an older film to get high ranks, if there are only many criticisms from which they aggregate. That Humphrey Bogart has ten films with a perfect score is quite remarkable, but when you look in which The films of his score have this score, the situation becomes a little more nuanced.